Germano Alemeida’s new novel Misfortunes of a Governor in the Tropics (“Infortúnios de Um Governador nos Trópicos”) is set in the 1820s. Colonel João da Mata Chapuzet, who had distinguished himself as a brave military man, especially in the war against the French invaders (he was one of the royal family’s escorts when they fled to Brazil, but he himself returned immediately to Portugal to take part in the war), was appointed military governor of the always half-abandoned colony of Cape Verde. His main mission was to bind the colony tightly to the mother country, putting a stop to a handful of renegades who wanted to integrate the islands into a greater Brazil that was already seeking independence.
And after organising his large retinue in Lisbon, he set off, arriving without any major mishaps at the new capital of the islands, Vila da Praia. Here João da Mata proved to be as skilful and effective in politics as he had been in war. But he forgot that putting things in good order begins with ourselves, with our own house. And in this respect everything went wrong for him.

Confession and Guilt (“A Confissão e a Culpa”) brings to a close a trilogy of works that the author has now grouped under the collective title THE MINDELO TRILOGY. It recounts an event that took place in the city of Mindelo, on the island of São Vicente in the Cape Verde archipelago. This event, which shook the country, was the strange and unexpected murder of the famous Cape Verdean writer Miguel Lopes Macieira, the pride of the island, by his closest friend, Engineer Edmundo do Rosário, at the very moment of the well-attended launch of his latest book, eagerly awaited by all the people of Mindelo. From the first line of the first volume: “Everyone was taken by surprise, so no one tried to prevent the murder of the islands’ best-known and most widely translated writer, mere moments before the start of the launch of what turned out to be his final work.”

The author now offers us the opportunity to find the answer to the question: Why did Edmundo do Rosário murder his best friend just as he was preparing to be celebrated once again by the people of Mindelo? That is the subject of this third volume of the trilogy. The murderer now has the floor.

The Last Bellow (“O Último Mugido”) is the sequel to The Faithful Dead, which ended with the writer’s murder at the hands of his best friend. In this instalment, his wife, Mariza, returns from America to carry out the writer’s will, specifically his public cremation in a square in Mindelo.

With The Faithful Dead (“O Fiel Defunto”), Almeida offers a snappy satire on the cultural scene in his Cape Verde homeland. Miguel Lopes Macieira, the island’s best-known and most-translated author, is shot dead by his friend Edmundo de Rosário at the launch of his first new book after years of silence. The jealous drama is centred on Matilde, thirty years younger than Macieira and loved by both men. The novel is less about solving a crime than about human relationships and how state and church want to share in the writer’s popularity. Finally it is Mariza, Macieira’s former companion who had always come second to literature during his lifetime, who gets the author’s will out of the safe. Around the sometimes grotesquely exaggerated events, Almeida creates a small cosmos of lovable characters with their own stories. Its language of a humorous, empathic narrative makes the novel unmistakable.

In his novels, Almeida unmasks the hypocrisy of public and private morality in the Republic of Cape Verde (and elsewhere). His most effective artistic tool is humour: Almeida is a master of all arts of literary comedy and his observations on society are sharpened by irony and sarcasm, puns and slap-stick-like situation comedy.

The Last Will and Testament of Senhor da Silva Araújo (“O testamento do Sr. Napumoceno da Silva Araújo”) is a highly witty and entertaining book telling about the life of a rich old-school macho on the Cape Verde islands. Amusingly enough, this man owes his economic and social progress to thousands of umbrellas which he once ordered by mistake. No one on the islands ever really needed an umbrella since it hardly ever rains. Fortunately though, this day the heavens were understanding and tore open just at the right moment…

In 2004 the novel was mentioned in the London TIMES LITERARY SUPPLEMENT as one of the Best Books of the Year by Pankaj Mishra:

Germano Almeida’s The Last Will and Testament of Senhor da Silva Araújo introduced me to a writer of great comic gifts.

The Last Will and Testament of Senhor da Silva Araújo is the predecessor of the great novel My Poet (“O meu poeta”). Almeida’s third novel is entitled The Fantastic Island (“A ilha fantástica”) and in 1995 he published The Two Brothers (“Os dois irmãos”), a gripping story about a case of fratricide.

In his novel, Eva, Luís Henriques and Reinaldo, the narrator, are roaming the streets of Lisbon at night in December 2000. The occasion for their meeting is Eva. Both know her, and both know of each other from Eva’s stories. 25 years ago, she was Luís Henriques’ first love. Now he is curious to find out about this other man in her life. Is he a friend, or even a lover? The backdrop is Lisbon, from the 1960s onward to the Carnation Revolution, and the challenging life on Cape Verde against the background of more recent political developments. From a strictly Catholic bourgeois parental home, Eva moved to Lisbon to go to university, evidently exerting an irresistable charm on the male sex. Here she gets caught up in politics and meets and falls in love with Luís Henriques. After she returns to Cape Verde, she marries the candid Zé Manel without further ado, but embarks on a relationship with Reinaldo. Is it Eva, ultimately, who pulls the strings in all these relationships? The two men are faced with ever more questions and many remain unanswered when they part.

As in previous novels, Germano Almeida knows how to use a priceless story to tell the history of the Cape Verde Islands and their peoples.