Based on actual events, Schizo follows the trayectories of three families from different continents that have survived annihilation in their respective lands and converge in Miami around the unexplained death of an anti-torture activist at the height of GW Bush´s war on terror in 2005.

Nathan Moretti, whose parents fled the Holocaust and emigrated to America, falls in love with Nadia Mimouni, whose own family escaped a brutal colonial war in Algeria and was born in Buenos Aires – where a thir household, the Posadas-Suarez, experienced first-hand the atrocities of Argentina´s civil war in late seventies. Was Nathan´s friend´s untimely death a banal traffic accident or was it the premeditated murder of a potential whistleblower? And if there was foul play, who stands to benefit by his death?

Schizo is a political satire set againts the CIA´s post-9/11 torture program about the chasm between professed values and actual practice, colonial empires doubling as democracies, and the ethical contortions individuals sometimes go through so they can live with themselves.

35 years on from Pinochet’s putsch, the three former exiles Cacho, Lolo and Lucho meet again in Chile. By now they are The Shadow of What We Were (“La sombra de lo que fuimos”): pot-bellied, balding and grey-bearded. Their plan is finally to unearth a treasure the police have never tracked down: the loot from a famous bank robbery that took place in 1925, undertaken by a group of anarchists. Drinking and wallowing in memories of their old revolutionary days, they wait for the fourth man, who should know more about the money. But instead of him, a former friend shows up, telling an incredible story.

Affectionate, funny and with a good pinch of irony, this graphic novel tells the story of a group of tragic heroes who never lose their faith in humour – which is why they end up as winners.

Set in nineteenth-century Wisconsin and Colorado, Nahoonkara follows the lives of three brothers striving to re-create themselves. While Killian takes care of his sick mother and Eli flees after a conflict with his father, Henry founds a prospering mining town. Featuring differing points of view and beautiful poetic language, this outstanding novel reveals what happens when individual identity collapses.

Peter Grandbois’ poignant debut The Gravedigger is written in the best Latin American tradition. Juan Rodrigo is haunted by the people he buries in his tiny Andalusian village, feeling compelled to pass along their stories. But the truths he reveals don’t always go over well among the surviving. Then his teenage daughter Esperanza falls in love with a gypsy boy, and fate stops at his own doorstep…

A shred of black lace. A broken hand mirror. A spidery strip of false eyelash. These are the fragments left to Irene Vilar, granddaughter of Lolita Lebron, the revered political activist for Puerto Rican independence who in 1954 sprayed the U.S. House of Representatives with gunfire, wounding several congressmen, and later served twenty-seven years in prison. In The Ladies’ Gallery, Vilar revisits the legacy of her grandmother and that of her anguished mother, who leapt to her death from a speeding car when Vilar was eight.

Eleven years after her mother’s death, Vilar awakens in a psychiatric hospital after her own suicide attempt at the age of eighteen and begins to face the devastating inheritance of abandonment and suicide passed down from her grandmother and mother. The familial pattern of self-destruction flung open the doors to her national inheritance and the search for identity. Alternating between Vilar’s notes from the ward and the unraveling of her family’s secrets, this lyrical and powerful memoir of three generations of Puerto Rican women is urgent, impassioned, and unforgettable.

The Ladies’ Gallery was a Philadelphia Inquirer and Detroit Free Press notable book of the year and was short-listed for the 1999 Mind Book of the Year Award. The memoir was featured on NPR’s Fresh Air, Univison, CBS, PBS La Plaza, Vogue magazine, New York Times Magazine, and in the Arts’ front page section of The New York Times.

Irene Vilar’s second memoir Impossible Motherhood is in part a continuation of her first book. Vilar was just a teenager, a pliant young college undergraduate in thrall to a fifty-year-old professor, when they embarked on a relationship that led to marriage and multiple abortions. Vilar knows that she is destined to be misunderstood, that many will see her nightmare as a story of abusing a right, of using abortion as a means of birth control. But it isn’t that. Her nightmare is part of an awful secret, and the real story is shrouded in shame, colonialism, self-mutilation, and a family legacy that features a heroic grandmother, a suicidal mother, and two heroin-addicted brothers. Hers is a story that touches on American exploitation and reproductive repression in Puerto Rico. It is a story that looks back on her traumatic childhood growing up in the shadow of her mother’s death and the footsteps of her famed grandmother, the political activist Lolita Lebrón, who was imprisoned for twenty five years for her attack on the US Congress in 1954.

Impossible Motherhood is a heartrending and ultimately triumphant testimonial of shame and servility. Abortion has never offered any honest person easy answers. Vilar’s dark journey through self-inflicted wounds, compulsive patterns, and historical hauntings revisits the difficulties many have with the subject and prompts an important, much-needed discussion – literary, political, social, and philosophical. Vilar’s is a powerful story of loss and mourning that bravely delves into selfhood, national identity, family responsibility, and finally motherhood itself.

Robin Morgan, in her foreword to Impossible Motherhood:
“Irene Vilar reclaimed her life when she finally brought to term and birthed the woman she is today, after so many decades of a tragedy infinitely worse than all her pregnancy terminations: the aborted self. Those who think the struggle for women’s freedom and power no longer necessary or single-issue simplistic would do well to read this book. We dare not forget that a woman’s right to control her own body includes not just the right to control her womb but also her voice. Irene Vilar has courageously let that voice sing. Listen to it.”

The Village of Vanished Souls (“A Aldeia das Almas Desaparecidas”) is a moving and gripping novel divided into two volumes, in which Richard Zimler retraces the Zarco family and explores the devastating effects of religious intolerance in Castelo Rodrigo and surrounding villages. Using real names, dates of arrest and other details about the villagers who were seized by the Inquisition, he presents the reader with an exhaustive piece of research that makes this work a masterful novel and an unrivalled testimony. Love, betrayal, sacrifice, and courage coexist in this gripping novel, a unique account of the horrors of the Inquisition that elevates Richard Zimler to the podium of the greatest storytellers.

It is the year 1671 and in The Village of Vanished Souls I (“A Aldeia das Almas Desaparecidas I”) Isaaque Zarco, a nine-year-old boy, leads a quiet existence in the peaceful village of Castelo Rodrigo. However, not even this remote corner in the north of Portugal escapes the shadow of a powerful evil force, which insidiously spreads through a hitherto peaceful population. And soon, with the mysterious disappearance of a family friend and the murder of a neighbour, the pillars that had sustained Isaaque’s world begin to crumble, putting his own life at risk. Grandmother Flor, an old Castilian midwife and healer, reveals to him something that nobody had dared to tell him: that he and his family are secret Jews – and therefore subject to accusations and imprisonment.
The Village of the Vanished Souls II (“A Aldeia das Almas Desaparecidas II”), where he resumes his work as a tailor’s assistant and takes an even more active part in the services of the city’s clandestine synagogue. The peacefulness of his days, however, is interrupted when, at the age of seventeen, he receives a letter from Flor’s adopted daughter, Sálvia, informing him that the old healer has been arrested by the Inquisition. Isaaque then finds himself immersed in a perfidious world full of betrayals, which culminate in the terrifying auto-da-fé of Madrid in 1680. Worst of all, he learns that, under torture, the old healer has denounced two other friends as secret Jews. Will he be able to save them, at the risk of being arrested?

Benjamin Zarco and his cousin Shelly are the only two members of their family to survive the Holocaust. In the decades since, each man has learned, in his own unique way, to carry the burden of having outlived all the others, while ever wondering why he was spared.
Saved by a kindly piano teacher who hid him as a child, Benni suppresses the past entirely and becomes obsessed with studying kabbalah in search of the ‘Incandescent Threads’, the nearly invisible fibres that he believes link everything in the universe across space and time. Meanwhile, Shelly – devastatingly handsome, charming and exuberantly bisexual – comes to believe that pleasures of the flesh are his only escape, and takes every opportunity to indulge his desires. That is, until he begins a relationship with a profoundly traumatised Canadian soldier and artist who helped to liberate Bergen-Belsen, and who might be a connexion with his lost family in Europe.
Across six non-linear mosaic pieces, we move from a Poland decimated by World War II to modern-day New York and Boston, hearing friends and relatives of Benni and Shelly tell of the deep influence of the beloved cousins on their lives. For within these intimate testimonies may lie the key to why they were saved and the unique bond that unites them. The Incandescent Threads is the latest in his Sephardic Cycle, an acclaimed group of independent works that explore the lives of different branches and generations of a Portuguese-Jewish family, the Zarcos.

In the New Testament, we are told that Jesus resurrected a beloved friend named Lazarus from the dead. Yet the Gospel of John – which contains this episode – does not tell us how Jesus accomplished this miracle or if he had a special purpose for saving his companion. The Gospel of John offers us only two more important details about Lazarus: that his notoriety attracted crowds to Jesus’ appearances and that he found himself menaced by Annas, a former High Priest of the Temple. The revived man’s fate clearly became tied to that of Jesus, who, because of his political and spiritual activism, had also earned the wrath of Annas and his son-in-law Caiaphas, the current High Priest. For what purpose did Jesus revive his dear friend? How will the events of Passion week affect Lazarus’ unique understanding of Jesus’ purpose, as well as test their friendship and love? In The Gospel According to Lazarus, Richard Zimler narrates this mysterious and influential story from Lazarus’ own point of view. His impeccably researched novel reveals itself in alluring layers, and his intensely moving exploration of Jesus’ final week from the point of view of his childhood friend adds a level of poignancy and desperation to the story that is certain to disturb some readers and greatly touch others.

Eccentric Chief Inspector Henrique Monroe investigates the brutal slaying of a construction magnate in Lisbon. Is his murder related to the bribing of politicians? Memories of Henrique’s own troubled childhood in Colorado are triggered as he delves deeper into the possibility that the victim’s daughter was being sexually abused by her own father. The Night Watchman is a chilling psychological mystery that explores the ongoing effects of abuse, and a sensitive portrait of contemporary Portugal.

The Warsaw Anagrams is a story about survival, solidarity and revenge set in Warsaw’s Jewish ghetto, magnificently written. When Erik’s nephew Adam’s lifeless body appears on the surrounding wire fence, Erik swears to avenge his murder – and brings to light the most abject perversions of the Nazi ideology. In this profoundly moving and dark novel, Erik takes the readers into Warsaw’s most forbidden territories and into the most heroic chambers of the human heart. The Warsaw Anagrams sold over 70.000 copies in the USA and the UK.

The Seventh Gate constitutes the fourth part of the “Sephardic Cycle”. Berlin 1932. Sophie is an intelligent fourteen-year-old coming of age. She is forced to lead a double life between her Nazi family and her Jewish friends, working against the government in a secret group called the Ring. At the same time, she fears for the safety of her younger autistic brother Hansi. When Hansi’s sterilization order comes, Sophie fights with all her ingenuity and guile to save him. In the end, however, she is forced to make a deadly betrayal. Through successive mysteries, reversals, and surprises – and across a race against time -, The Seventh Gate is at one and the same time a love story and tragedy – and a tale of ferocious heroism.

The Search for Sana, however, is set in our present time: At a writers’ festival, Richard Zimler met the performer Sana whom he found enormously charismatic. The following evening she jumped to her death. This deeply affected him and launched him into an intense, three-year investigation of her past. He uncovered the story of a boundary-crossing friendship between two girls who grew up in Haifa in the 1950s. The Search for Sana vividly depicts the Palestinian and Israeli conflict without taking sides. Richard Zimler succeeds in integrating historical background details into the narration of an action-packed and colourful individual fate.

The third novel, Guardian of the Dawn, takes place in the early 16th century, when the Portuguese conquered the Indian province of Goa from the Sultan of Bijapur. After establishing the Inquisition, they converted tens of thousands of Hindus or immigrant Jews to Christianity. Berekiah Zarco, a Jewish manuscript illuminator, is arrested by the Portuguese Inquisition in Goa in the 16th century. Sensing he hasn’t enough strength to continue defying them while being tortured, he commits suicide. His son Tiago tries to find out who set this tragedy in motion, determined to take revenge even if it causes his own death.

In 1989, Zimler began to publish short stories in British literary and American literary magazines. His first novel, The Last Kabbalist of Lisbon, became an immediate bestseller. It constitutes the first part of the “Sephardic Cycle”, a series of independent works exploring Jewish history through the lives of different generations and branches of a single family. The Last Kabbalist of Lisbon is a literary mystery set among secret Jews in Lisbon in 1506. Film rights have now been purchased by the head of Cinemate (“Night Train to Lisbon”). The director will be Academy-award winner Bille August.

In April that year, during Passover celebrations, around two thousand of Lisbon’s New Christians – Jews forcibly converted to Christianity in 1497 – were murdered in a pogrom. The story of the sequel novel Hunting Midnight is set in the early 19th century and touches on a number of issues familiar to readers of Richard Zimler, including Jewish mysticism and the forced conversion of Portuguese Jews. New, on the other hand, are the themes of African magic and slavery.

Teresa Silva is a witty, combative, and maddeningly articulate 15-year-old who moves from the comfort of her Lisbon home to the New York suburbs. Unprepared for life in America, she finds solace in her books, her unstoppable sense of humour and her father‘s playful affection. While trying to adapt to her new school and new language, as well as a vastly different culture, she struggles to support her desperately lonely younger brother and gravely ill father and keep from becoming enraged by her neglectful mother, who prefers shopping to caring for her children. She must also try to make sense of her unrequited passion for Angel, her best friend, a Brazilian young man who is frequently bullied for being gay. When Teresa‘s father dies, her problems deepen. While she is grieving, Angel is brutally beaten by other students and drops out of school, which increases her sense of isolation and despair. She quickly falls into depression and begins to consider suicide. Teresa‘s questions about how to regain her enthusiasm and joy – and how to cope in a place where people don’t seem to understand her – reach their climax on December 8, the anniversary of John Lennon‘s death. As she and Angel set out on a pilgrimage to the Strawberry Fields Memorial in Central Park, a terrible and shocking event changes her destiny forever. Strawberry Fields Forever is an insightful and darkly funny coming-of-age novel, which, with ­fierce irreverence, black humour, and piercing insight, traces Teresa‘s desperate and moving journey toward herself, which in the end leads her back to life. This crossover novel goes straight to the heart of the reader.

In ERNEST: The Robot Who Painted Mischief and Laughter (“ERNESTO: O Robô que Pintou o Sono e a Doçura”), Ernest has gorgeous blue eyes. And with them, he can see all the colors of the rainbow and even some colors that humans can’t see. Although he has a body made of shiny metal, his velvety skin is soft to the touch. He is a handsome, intelligent and sweet-natured robot. And his outstanding memory is full of all sorts of useful information. He might even be able to live out his dream and become the first robot artist in the world! And yet, to become an excellent artist, he must be able to give form not only to what he sees in the world but also what is in his thoughts and, above all, his heart. He will have to learn to paint his feelings about himself and the world. With the help of his beloved family and his animal friends, will he be able to accomplish all that? Will he be able to cross the border that separates robots from humans and become the creative and happy little person that he so deeply wants to be?

One afternoon, Jamie’s father takes the family’s beloved dog – Miss Marble – to the veterinarian and returns alone. His parents explain she was old and in pain and has now found the peace she deserved, but the boy is heartbroken. So to cheer him up, the family goes to the beach. One night, Jamie is having trouble sleeping and walks out to the verandah to look at the stars, which seem strangely comforting. An owl lands on the railing and begins to speak to him, which frightens the boy. The bird – Francisco – calms Jamie by explaining about the unusual kinship between the two of them and then gives him a thrilling ride on his back. After the owl departs, the boy hears a strange voice calling him from the garden below. Curious, he leans over the railing to look down and… And so begins his adventure in the land of talking animals, where squirrels, sloths, dodos and other comical and wise creatures give him replies to his questions about life and death and all that lies in between.

Imagine being able to fly like a butterfly, jump like a kangaroo or peek through the treetops like a giraffe. We all know that children often fantasise that they can acquire the extraordinary characteristics of animals, from the smallest to the most majestic. And it’s good that they do! Because children need to “live” these transformations and have liberating adventures in order to become creative and imaginative adults, capable of realising their dreams.
If I Were a Kangaroo (“Se eu fosse…“) is a book that encourages children (and perhaps their parents too!) to overcome their limitations. This book invites children to swim like a tropical fish or sing like a blackbird – or even ward off bathers on the beach with the “smile” of a shark!

David is eleven years old and lives in London with his parents, his border collie Adam and his mischievous but lazy cat, Violet, who is the narrator of The Dog Who Ate Raindrops. Peter wants to be a professional goalkeeper and world-famous flautist, but after he returns from school with bruises on his arms and face, his family discovers that he has lost all interest in music, sports and most everything else. He also refuses to take Adam and Violet for their usual walk around their neighborhood. What could be wrong with him? When the cat and dog finally learn what’s been bothering Peter, they decide to take matters into their own hands. But will they find the courage to defend their human brother against all that threatens him?
The Dog Who Ate Raindrops is a moving, amusing and thrilling story from renowned novelist Richard Zimler. It won Portugal’s most important prize for children’s literature, the Bissaya-Barreto Prize, and has been singled out for its frank exploration of bullying. The unusual and tender illustrations for the Portuguese edition were done by the country’s most famous painter, Júlio Pomar.