Although medicine was a natural choice for Cecília, following in the footsteps of her father, she does not match the image one expects of a paediatrician. A doctor who is not at all maternal, with little affection for children and zero patience for their mothers and fathers.
And yet she has a successful practice as a sought-after neonatologist. Gradually, however, she ends up losing ground to a humanist paediatrician, who works with doulas, midwives and accompanies home births. Even the obstetrician with whom she has always worked seems to prefer the humanist.

Cecília undertakes an obsessive dive into the universe of humanised childbirth and alternative medicine, despite being practices she deeply despises. In parallel, she has a relationship with a married man, whose son she treats professionally during his birth. And this child will awaken unexpected feelings and attitudes in her.
With caustic humour and deft, succinct prose, Andréa del Fuego presents in The Paediatrician (“A Pediatra”) an insightful look at human behaviour and key contemporary issues, such as ethics, empathy and the limits that can be easily crossed by those in a position of power.

In her new novel The Miniatures (“As miniaturas”), Andréa del Fuego plunges the reader into a highly original world made up of dreams and reality. In a mysterious building full of corridors, people are working, under strict regulations, as interpreters of dreams. One day, as he leads a boy through his dreams using plastic miniatures, an interpreter realizes the boy is the son of one of his other clients. Although not allowed to work with members of the same family, the interpreter doesn’t report it and gets more and more involved in the lives of mother and son. Once again the author captivates her readers with a profound and entertaining novel.

The Malaquias (“Os Malaquias”) is an intriguing, intelligent story of family ties and fate in a world where magic lives alongside reality: When their parents die after being struck by lightning, Nico, Antônio and Júlia are separated. While each one tries to make it on their own, they continue to look for each other. Nico stays behind on a coffee plantation, while Antônio and Júlia are sent to an orphanage. In time, Antônio joins Nico and his family and Júlia becomes a successful dressmaker. Then Nico decides to leave for new shores, where he is sure he will see his sister again. A captivating family saga enhanced by a fresh literary tone that skillfully combines scientific conciseness with magical elements.

The world is living through an epidemic caused by an unknown virus, the Bola. The virus has already killed many people, including the grandfather of Vitor, a super-smart thirteen-year-old boy, skinny, with pimples on his face, who lives alienated from the world in front of his computer. Because of Samara, with whom he is in love, the young man discovers a game on the internet, the Skull, and ends up joining the mysterious Crystal Skull Society (“Sociedade da Caveira de Cristal”). To advance in the game, Vitor has to leave the computer on, the internet connected, and to fall asleep, because the game continues in his dreams. Thus, all the players have the same dream and live the same adventure. But Vitor, Samara, and the smart Jorjao (who owns an internet cafe) realize that something is wrong in this story and that together they can save the world from Bola.